<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	>
<channel>
	<title>Comments on: DJ Spooky on Jamaican/Digital Culture</title>
	<atom:link href="http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/</link>
	<description>Tech, Entrepreneurship, and Venture Capital in New York City</description>
	<pubDate>Wed, 19 Nov 2008 03:45:13 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.6.2</generator>
		<item>
		<title>By: Sahmeepee</title>
		<link>http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/#comment-161984</link>
		<dc:creator>Sahmeepee</dc:creator>
		<pubDate>Fri, 15 Feb 2008 15:11:33 +0000</pubDate>
		<guid isPermaLink="false">http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/#comment-161984</guid>
		<description>Nice post. The cut and paste idea is particularly relevant with Jamaican music: "jamaica’s hyper-productive sound" was made possible by the constant reuse and reinvention of successful riddims to make new and better music. It's something that is still possible with our modern, litigious and copyright-obsessed society, but it's made so much harder if you have to get everything cleared by a team of suits that hyper-productivity is virtually impossible.

In the words of 2manydjs:

"in these post-modern times of illegal mp3's and white label bootlegs it is all too easy to think you can get away with anything. you can't.
never forget that everyone wants a piece of the cake. and watch out if they don't want to be in the dough at all.
if you want to include somebody's music on a release of your own you've got to get permission from the owner of the 'master tapes', which usually is the artist's record company.
depending on the contract the artist has with the company, they've got to ask his/her permission as well. this process is known as 'licensing' or, in record-company talk, 'clearing' the copyrights."</description>
		<content:encoded><![CDATA[<p>Nice post. The cut and paste idea is particularly relevant with Jamaican music: &#8220;jamaica’s hyper-productive sound&#8221; was made possible by the constant reuse and reinvention of successful riddims to make new and better music. It&#8217;s something that is still possible with our modern, litigious and copyright-obsessed society, but it&#8217;s made so much harder if you have to get everything cleared by a team of suits that hyper-productivity is virtually impossible.</p>
<p>In the words of 2manydjs:</p>
<p>&#8220;in these post-modern times of illegal mp3&#8217;s and white label bootlegs it is all too easy to think you can get away with anything. you can&#8217;t.<br />
never forget that everyone wants a piece of the cake. and watch out if they don&#8217;t want to be in the dough at all.<br />
if you want to include somebody&#8217;s music on a release of your own you&#8217;ve got to get permission from the owner of the &#8216;master tapes&#8217;, which usually is the artist&#8217;s record company.<br />
depending on the contract the artist has with the company, they&#8217;ve got to ask his/her permission as well. this process is known as &#8216;licensing&#8217; or, in record-company talk, &#8216;clearing&#8217; the copyrights.&#8221;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Ethan Bauley</title>
		<link>http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/#comment-156592</link>
		<dc:creator>Ethan Bauley</dc:creator>
		<pubDate>Wed, 06 Feb 2008 00:54:11 +0000</pubDate>
		<guid isPermaLink="false">http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/#comment-156592</guid>
		<description>King Tubby Meets Rockers Uptown is the most classic dub record.

http://www.amazon.com/Tubbys-Meets-Rockers-Uptown-Deluxe/dp/B00011V80E/ref=sr_1_1?ie=UTF8&#38;s=music&#38;qid=1202259129&#38;sr=1-1

Many of the original non-dub versions are on Jacob Miller's "Who Say Jah No Dread":

http://www.amazon.com/Who-Say-Jah-No-Dread/dp/B000000QC2

Check these out...

Also check out Bill Laswell/Jah Wobble - "Radioaxiom: A dub transmission" for some modern dub that isn't lame or too heavy on the drum 'n bass influence:

http://www.amazon.com/Radioaxiom-Dub-Transmission-Jah-Wobble/dp/B00005O7U8</description>
		<content:encoded><![CDATA[<p>King Tubby Meets Rockers Uptown is the most classic dub record.</p>
<p><a href="http://www.amazon.com/Tubbys-Meets-Rockers-Uptown-Deluxe/dp/B00011V80E/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1202259129&amp;sr=1-1" rel="nofollow">http://www.amazon.com/Tubbys-Meets-Rockers-Uptown-Deluxe/dp/B00011V80E/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1202259129&amp;sr=1-1</a></p>
<p>Many of the original non-dub versions are on Jacob Miller&#8217;s &#8220;Who Say Jah No Dread&#8221;:</p>
<p><a href="http://www.amazon.com/Who-Say-Jah-No-Dread/dp/B000000QC2" rel="nofollow">http://www.amazon.com/Who-Say-Jah-No-Dread/dp/B000000QC2</a></p>
<p>Check these out&#8230;</p>
<p>Also check out Bill Laswell/Jah Wobble - &#8220;Radioaxiom: A dub transmission&#8221; for some modern dub that isn&#8217;t lame or too heavy on the drum &#8216;n bass influence:</p>
<p><a href="http://www.amazon.com/Radioaxiom-Dub-Transmission-Jah-Wobble/dp/B00005O7U8" rel="nofollow">http://www.amazon.com/Radioaxiom-Dub-Transmission-Jah-Wobble/dp/B00005O7U8</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: phil</title>
		<link>http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/#comment-156282</link>
		<dc:creator>phil</dc:creator>
		<pubDate>Tue, 05 Feb 2008 13:41:32 +0000</pubDate>
		<guid isPermaLink="false">http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/#comment-156282</guid>
		<description>sweet post shmengilla... thanks for the fun read...  viva la open source culture!</description>
		<content:encoded><![CDATA[<p>sweet post shmengilla&#8230; thanks for the fun read&#8230;  viva la open source culture!</p>
]]></content:encoded>
	</item>
</channel>
</rss>

<!-- Dynamic Page Served (once) in 0.994 seconds -->
