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	<title>Comments on: DJ Spooky on Jamaican/Digital Culture</title>
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	<link>http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/</link>
	<description>Tech, Entrepreneurship, and Venture Capital in New York City</description>
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		<title>By: Sahmeepee</title>
		<link>http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/comment-page-1/#comment-161984</link>
		<dc:creator>Sahmeepee</dc:creator>
		<pubDate>Fri, 15 Feb 2008 15:11:33 +0000</pubDate>
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		<description>Nice post. The cut and paste idea is particularly relevant with Jamaican music: &quot;jamaica’s hyper-productive sound&quot; was made possible by the constant reuse and reinvention of successful riddims to make new and better music. It&#039;s something that is still possible with our modern, litigious and copyright-obsessed society, but it&#039;s made so much harder if you have to get everything cleared by a team of suits that hyper-productivity is virtually impossible.

In the words of 2manydjs:

&quot;in these post-modern times of illegal mp3&#039;s and white label bootlegs it is all too easy to think you can get away with anything. you can&#039;t.
never forget that everyone wants a piece of the cake. and watch out if they don&#039;t want to be in the dough at all.
if you want to include somebody&#039;s music on a release of your own you&#039;ve got to get permission from the owner of the &#039;master tapes&#039;, which usually is the artist&#039;s record company.
depending on the contract the artist has with the company, they&#039;ve got to ask his/her permission as well. this process is known as &#039;licensing&#039; or, in record-company talk, &#039;clearing&#039; the copyrights.&quot;</description>
		<content:encoded><![CDATA[<p>Nice post. The cut and paste idea is particularly relevant with Jamaican music: &#8220;jamaica’s hyper-productive sound&#8221; was made possible by the constant reuse and reinvention of successful riddims to make new and better music. It&#8217;s something that is still possible with our modern, litigious and copyright-obsessed society, but it&#8217;s made so much harder if you have to get everything cleared by a team of suits that hyper-productivity is virtually impossible.</p>
<p>In the words of 2manydjs:</p>
<p>&#8220;in these post-modern times of illegal mp3&#8217;s and white label bootlegs it is all too easy to think you can get away with anything. you can&#8217;t.<br />
never forget that everyone wants a piece of the cake. and watch out if they don&#8217;t want to be in the dough at all.<br />
if you want to include somebody&#8217;s music on a release of your own you&#8217;ve got to get permission from the owner of the &#8216;master tapes&#8217;, which usually is the artist&#8217;s record company.<br />
depending on the contract the artist has with the company, they&#8217;ve got to ask his/her permission as well. this process is known as &#8216;licensing&#8217; or, in record-company talk, &#8216;clearing&#8217; the copyrights.&#8221;</p>
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		<title>By: Ethan Bauley</title>
		<link>http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/comment-page-1/#comment-156592</link>
		<dc:creator>Ethan Bauley</dc:creator>
		<pubDate>Wed, 06 Feb 2008 00:54:11 +0000</pubDate>
		<guid isPermaLink="false">http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/#comment-156592</guid>
		<description>King Tubby Meets Rockers Uptown is the most classic dub record.

http://www.amazon.com/Tubbys-Meets-Rockers-Uptown-Deluxe/dp/B00011V80E/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1202259129&amp;sr=1-1

Many of the original non-dub versions are on Jacob Miller&#039;s &quot;Who Say Jah No Dread&quot;:

http://www.amazon.com/Who-Say-Jah-No-Dread/dp/B000000QC2

Check these out...

Also check out Bill Laswell/Jah Wobble - &quot;Radioaxiom: A dub transmission&quot; for some modern dub that isn&#039;t lame or too heavy on the drum &#039;n bass influence:

http://www.amazon.com/Radioaxiom-Dub-Transmission-Jah-Wobble/dp/B00005O7U8</description>
		<content:encoded><![CDATA[<p>King Tubby Meets Rockers Uptown is the most classic dub record.</p>
<p><a href="http://www.amazon.com/Tubbys-Meets-Rockers-Uptown-Deluxe/dp/B00011V80E/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1202259129&amp;sr=1-1" rel="nofollow">http://www.amazon.com/Tubbys-Meets-Rockers-Uptown-Deluxe/dp/B00011V80E/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1202259129&amp;sr=1-1</a></p>
<p>Many of the original non-dub versions are on Jacob Miller&#8217;s &#8220;Who Say Jah No Dread&#8221;:</p>
<p><a href="http://www.amazon.com/Who-Say-Jah-No-Dread/dp/B000000QC2" rel="nofollow">http://www.amazon.com/Who-Say-Jah-No-Dread/dp/B000000QC2</a></p>
<p>Check these out&#8230;</p>
<p>Also check out Bill Laswell/Jah Wobble &#8211; &#8220;Radioaxiom: A dub transmission&#8221; for some modern dub that isn&#8217;t lame or too heavy on the drum &#8216;n bass influence:</p>
<p><a href="http://www.amazon.com/Radioaxiom-Dub-Transmission-Jah-Wobble/dp/B00005O7U8" rel="nofollow">http://www.amazon.com/Radioaxiom-Dub-Transmission-Jah-Wobble/dp/B00005O7U8</a></p>
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		<title>By: phil</title>
		<link>http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/comment-page-1/#comment-156282</link>
		<dc:creator>phil</dc:creator>
		<pubDate>Tue, 05 Feb 2008 13:41:32 +0000</pubDate>
		<guid isPermaLink="false">http://blog.andrewparker.net/2008/02/04/dj-spooky-on-jamaicandigital-culture/#comment-156282</guid>
		<description>sweet post shmengilla... thanks for the fun read...  viva la open source culture!</description>
		<content:encoded><![CDATA[<p>sweet post shmengilla&#8230; thanks for the fun read&#8230;  viva la open source culture!</p>
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